Tuesday, December 21, 2010

Because Kyle Asked: An Animation Special

Because Kyle Olson asked what animated movies DO I like, I decided to put the answer into a blog post. As well, since it's that time of year when there are a myriad of cartoon specials dancing around television, what better time than now to talk about my favorite animated movies.
I spend an awful lot of time talking about the suck cartoon movies out there; from Cars to Shark Tale to Emperor's New Groove, I hardly get to the really good animated films. In fact, my favorite film from last year was Fantastic Mr Fox. Happy Holidays, here is my top 10 Favorite Animated Films.

10. Ratatouille/The Incredibles - Tied for 10th Place, and perhaps a spot deserving of many of Pixar's best films from Toy Story to Finding Nemo, but these two stand out as two of my favorites from them, and for different reasons. Ratatouille is prime example that Pixar really knows how to tell a story. The movie is so captivating from start to finish, it's like they've re-invented the same story structure that's been around for thousands of year, but making it feel so fresh and new. This was the first of the so-called "Art House Pixar" films, making a film that was more like an adult movie than a children's animation, the film has great themes and interesting dialogue. I can't say anything bad about the film. Even the main voice talent, Patton Oswalt is stupendous.
The Incredibles is in the same vein, a film that feels like it could be for adults. It's the classic, kids will love it while not getting all the jokes, yadda yadda. But it's true, what's playing here is the average family allegory played out as superheroes. Each super member of the family has a power related to their personality and social position; the mom stretched a million directions, the invisible daughter, the energetic and bored boy, and the strong father emaciated by society. If this were live action, which it seems in many ways it already has been in some ways in other films, it would have probably been overlooked or at the least not regarded by the critics the same way. Which shows the importance of stretching the limits of genre, this film went in a direction no animated film had gone.
8. Sword in the Stone - A childhood favorite. The story is simple enough, even for the likes of Disney. Instead of delving into the adventures of the King Arthur, the film follows his backstory, which is taken from an 20th century author's story about the Legend of Excalibur, rather than from the original tales. Interesting how the story was slightly watered down even before Disney got their hands on it. But as most Disney films go, this is the story of adolescent struggling with challenges larger than they can comprehend. Young Arthur has little to no control over his surroundings, even pulling the sword out is by accident. Then what makes this story so magical? The spectacle and presentation; mostly involving Merlin. He has a Wizards' Duel, he transforms Arthur and himself into animals, and my favorite thing he puts his whole household (in which everything has personalities) into his bag.) The sugar cup! Oh boy, what a naughty little utensil.
7. Secret of NIMH - Another childhood favorite, but this one holds up even more, which is a surprise, you'd think it wouldn't. It has the look of those old, forgettable Non-Disney Animated films, but this one is better and deeper. The story is solid, and leads your imagination down a deep hole where you can explore the many possibilities of the NIMH world. In fact, the books have a lot of great adventure stories. But alas, no immediate sequels were meant to be for this low performer. Maybe it was just a little too dark for the masses of children and their parents to grasp. At any rate, it's a modern set adventure that has a timeless feel of a classic myth. And I love it.

6. Kung Fu Panda - Finally, Jack Black in an animated film playing basically himself, but more awesome. This film kind of breaks my rule of not liking anachronistically wrong cartoons, but who cares, this film was awesome. Who cares that it's supposed to be set in ancient China, but Jack Black is like a kid growing up in 1980's San Fernando. In every other way, this is done so right. It's like they merged all the good things from Karate Kid and every awesome Kung Fu movie, then packaged it in an awesome anthropomorphically animal movie for awesomeness. I was saying Skadoosh all Summer after this came out. And now that I remember that awesome word, I'm going to use it all Winter. Skadoosh!

5. Wall-E - If you could make a captivating animated film without using any dialogue for 45 minutes, I will put you on this list. If you can also add in some social commentary and a love story between two robots, you will displace this film from my heart. No animals (besides a bug), humans take a back seat, and hardly any dialogue, make for a weird combination to make a cartoon movie, especially one set in a bleak future. But as the best animators do, they provide a lovable hero without conversations or heavy plot. Before all that starts, we know and love Wall-E, laughing and longing with him until finally Eve shows up and turns the world upside down. Pixar was channeling all the great silent-era comedians for this film, and honestly only through animation could you make a futuristic science fiction film that's basically a silent movie romance.



4. Beauty and the Beast - I honestly don't know why I love this film so much. It's packaged perfectly for little girls, but still it appeals to me. Again, it's just that Disney (of old) knows how to tell a story. And here, they tell the Beast story so well. Perhaps, they simplify it too much from the classic fairy tale, and also classic Cocteau film, but honestly this is the blueprint for all romance stories. I'm probably mistaken, but its basically the first romance comedy. Disney just managed to strip away the unnecessary parts, like the sisters and some details, then added in three hot triplets and made a perfect film. In fact, my only gripe is without Gaston himself, he should have forgotten about Belle and married the three triplets.

3. Dumbo - Which leads me to another silent hero; Dumbo. He says even less than Wall-E does, but still he manages to capture your heart. Like Sword in the Stone, this really is another example of a youngster trapped in a bigger world that he can neither understand nor control. As well, there isn't much of a story either, Dumbo becomes an outcast and through the help of a friend triumphs and saves his mother. All in 60 minutes. Considering that a good 10 minutes is taken up with the Pink Elephants song, there is barely a story at all here. But who cares, this is spectacle at its finest...a child elephant with huger than normal ears, "black" crows singing, a dark musical number about being drunk and seeing images, plus one of my favorite animated bit parts; the Stork. It's fun, it's easy, and you can always go back to the film for pure joy.

A Break From the List
My Favorite Animated Short
Mickey's Trailer - This cartoon utterly fascinated me as a kid. This is the one where Mickey, Donald and Goofy are traveling in a little trailer. Goofy is driving the car pulling the trailer, while Mickey and Donald are inside. Lots of hijinks ensue, where Goofy almost kills them with his absent minded driving. But what got me was the wonder of the trailer. How they had all the different compartments and how different areas turned into different things, and especially how it all fit into the little trailer.

2. Fantastic Mr Fox - The 2009 Nick Reddoch Movie of the Year Award Winner. This movie was fantastic. I haven't ever read the book, but love Roald Dahl's imaginative worlds. Mixing that with a director that creates worlds in real life places in an animated film and we have the makings of a masterpiece. I'm not going to claim that this film is some kind of masterpiece, but it stands apart from other films so distinctly. The art direction, story pacing, rich detail, fun and interesting characters...there isn't one flaw with it. But who cares about those things, the story was so fun and quirky and for once a film tackles the difficult question of how humans and intelligent anthropomorphic animals and regular animals live together. This film finally acknowledges the difference between smart animals and the dumb ones that can't think, it's part of the plot and basically part of the whole theme of the movie; animal instincts and how to overcome and is overcoming them what makes us civilized? Up didn't ask those kinds of questions, or hint at any deep theme to think about. Fantastic Mr Fox didn't force you to cry in the first 15 minutes only to lead you into some stupid and meandering adventure that ends up making no sense. (That's right, think about Up next time it's a Sunday night and your friends are getting together to watch something fun that everybody loves. Ask yourself, wait...why am I teary eyed at the beginning of the film before I've truly grown attached to this character...wait....is Pixar manipulating me? Wait...what's happening to everyone's eyes...why are they crying...am I actually watching Invasion of the Body Snatchers?....wait....I wanted to watch Finding Nemo....wait!!!!!!)
Fantastic Mr Fox doesn't wow and pizazz you into a spectacle of emotion. It tells a story like Plato (or whoever came up with the 6 things a story should have...was it Aristotle?)...like whoever that philosopher guy intended. Sorry, Pixar...I really liked Toy Story 3.

1. The Legend of Sleepy Hollow - And now we have number 1!!! A forgotten Disney classic, it was released as part of a duo with The Wind in the Willows. But growing up, we had the video cassette of just the Ichabod Crane story, with some hilarious Halloween shorts before it. That tape, which I stole from my Mom's house is so worn out it doesn't play normally anymore. The sound is fine, but the frames frlicker and move off the screen. Luckily, I bought the DVD used and it's as good as new, but now has the Mr. Toad part with it.
So what makes this film so good? It's spoken entirely by Bing Crosby! And he sings through a lot of it. The whole film is just one big piece of Disney kitsch. On top of that, it's Disney's dark kitsche, like the Haunted Mansion or Something Wicked This Way Comes, it's evil and demented, but never entirely over the line. But still, just like on the ride Haunted Mansion, some of the details are really dark if you think about it.
In Ichabod, there's drinking (even by animals) and attempted murder and of course a Headless Horseman that may or may not have killed the main character. It's wicked fun, and I watch it every chance I get.



6 comments:

  1. American animation only? No Miyazaki or Satoshi Kon movies?

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  2. Also, I disagree with your assessment of Up. I think it is a testimony of the strength of Pixar's storytelling ability that we are so emotionally attached to the characters after so short a time.

    Hemingway was challenged to write a story in six words. His response was "Baby shoes for sale: Never used". Just because it was brief (to say the least) doesn't change the tragedy of the circumstance and strength of the story told.


    But, hey! That's just me.

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  3. I'm not really the biggest fan of Asian animation. I don't think it's bad, it's generally cool and they do a lot of interesting things, it's just not my thing. I do really like Ghost in the Shell and considered it for my top 10, but it really isn't one of my "Top Favs."

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  4. The Little Mermaid is pretty boss, you must admit.

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  5. Tanner,

    I'm with you...brevity is wit. I'm all for getting to the point. Up definitely got to the point in trapping the audience into feeling emotionally involved with the main character, but they did it in a really messed up way. It was like being forced to watch someone die of cancer...of course you're going to cry.
    And then since you were so attached....they could do anything with the story and you're along for the ride...no matter how much it wanders aimlessly and makes no sense. That's my second biggest problem, the second half just kind of fell apart. There's some mysterious bird, and they're in some "weird" land and running around and...it's like they copied the formula from the 2nd half of an Indiana Jones movie(the less than good ones) where they're just running and chasing and finding and running and chasing and...you get the idea.
    But I digress...bottom line, the beginning of Up was aimed to draw you close to the character, if you don't buy into it you aren't going to be along for the ride. I guess I managed to stay detached and as a result didn't like the movie.

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  6. I am tempted to watch the Sleepy Hollow film with my family - you make it sound good. However I am worried slightly by your recommendation of the awful awful Sword in the Stone which I endured a few weeks back. Hmmm.

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